| 書目名稱 | The Reasonable Audience | | 副標題 | Theatre Etiquette, B | | 編輯 | Kirsty Sedgman | | 視頻video | http://file.papertrans.cn/919/918270/918270.mp4 | | 概述 | Demonstrates the contemporary performance of power differentials within the audience themselves.Conducts a nuanced analysis of the language used in online theatre etiquette blogs and articles.Critique | | 圖書封面 |  | | 描述 | Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back….The Reasonable Audience. explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of ‘good‘ and ‘bad‘ spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.. | | 出版日期 | Book 2018 | | 關鍵詞 | West End; Broadway; Black Lives Matter; Privilege; Cultural prejudice; Audience; Behaviour; Etiquette | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-99166-5 | | isbn_ebook | 978-3-319-99166-5 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl |
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