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Titlebook: The Palgrave Handbook of the Philosophy of Film and Motion Pictures; No?l Carroll,Laura T. Di Summa,Shawn Loht Book 2019 The Editor(s) (if

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書(shū)目名稱(chēng)The Palgrave Handbook of the Philosophy of Film and Motion Pictures
編輯No?l Carroll,Laura T. Di Summa,Shawn Loht
視頻videohttp://file.papertrans.cn/916/915939/915939.mp4
概述Includes a Foreword by Errol Morris.Conversant in the literature of both philosophy and cinema studies.Includes chapters written by some of the most influential researchers in the philosophy of motion
圖書(shū)封面Titlebook: The Palgrave Handbook of the Philosophy of Film and Motion Pictures;  No?l Carroll,Laura T. Di Summa,Shawn Loht Book 2019 The Editor(s) (if
描述.This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum.?It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion.?Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters.?Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film.?Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject..
出版日期Book 2019
關(guān)鍵詞Film and Philosophy; Motion Pictures; Pornography; Cinema and the other arts; Post-Structuralism
版次1
doihttps://doi.org/10.1007/978-3-030-19601-1
isbn_softcover978-3-030-19603-5
isbn_ebook978-3-030-19601-1
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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https://doi.org/10.1007/978-3-030-19601-1Film and Philosophy; Motion Pictures; Pornography; Cinema and the other arts; Post-Structuralism
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Book 2019rary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film.?Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject..
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