| 書(shū)目名稱(chēng) | The New Music Industries | | 副標(biāo)題 | Disruption and Disco | | 編輯 | Diane Hughes,Mark Evans,Sarah Keith | | 視頻video | http://file.papertrans.cn/915/914893/914893.mp4 | | 概述 | Provides a map for those interested in working in the new industries by identifying what is relevant and important and what is not.Offers contemporary strategies for musicians (both solo artists and g | | 圖書(shū)封面 |  | | 描述 | This research-based book outlines career models for artists, methods of creative engagement, artistic options including individuality and branding, production practices, the realities of being a musician in the new industries, and implications for popular music education.?Due to the profound effects of the digitisation of music, the music industries have undergone rapid transformation. The former record label dominated industry has been supplanted by new industries, including digital aggregators, strategists and online platforms. These new music industries now facilitate ‘direct’ access to both artists and their music. While such accessibility and the potential for artist exposure have never been greater, the challenge to stand out or to even navigate a musical career pathway is formidable.?A useful resource for musicians and educators, this text highlights the ways in which the new music industries facilitate increased opportunities for 21st Century popular musicians tocollaborate, communicate and interact with others interested in their music.?. | | 出版日期 | Book 2016 | | 關(guān)鍵詞 | digitization of music; the music industry; digital economy; accessibility; artist exposure; popular music | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-40364-9 | | isbn_softcover | 978-3-319-82087-3 | | isbn_ebook | 978-3-319-40364-9 | | copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
The information of publication is updating
|
|
|Archiver|手機(jī)版|小黑屋|
派博傳思國(guó)際
( 京公網(wǎng)安備110108008328)
GMT+8, 2025-10-21 21:35
發(fā)表于 2025-3-21 18:44:29
