| 書目名稱 | The Myth of Colorblindness |
| 副標題 | Race and Ethnicity i |
| 編輯 | Sarah E. Turner,Sarah Nilsen |
| 視頻video | http://file.papertrans.cn/915/914454/914454.mp4 |
| 概述 | Analyzes the ways that racial and ethnic representations in Hollywood films have both challenged and supported a colorblind ideology during the Obama and Trump eras.Addresses dominant theories of crit |
| 圖書封面 |  |
| 描述 | This book explores representations of race and ethnicity in contemporary cinema and the ways in which these depictions all too often promulgate an important racial ideology: the myth of colorblindness.? Colorblindness is a discursive framework employed by mainstream, neoliberal media to celebrate a multicultural society while simultaneously disregarding its systemic and institutionalized racism. This collection is unique in its examination of such films as .Ex Machina., .The Lone Ranger., .The Blind Side., .Zootopia., .The Fast and the Furious .franchise, and .Dope., which celebrate the myth of colorblindness, yet perpetuate and entrench the racism and racial inequities that persist in contemporary society.? While the #OscarsSoWhite movement has been essential to bringing about structural changes to media industries and offers the opportunity for a wide diversity of voices to alter and transform the dominant, colorblind narratives continue to proliferate.? As this book demonstrates, Hollywood still has a long way to go.. |
| 出版日期 | Book 2019 |
| 關鍵詞 | Colorblindness; Hollywood Film; Race and Ethnicity in Film; Racialized Politics and Film; Postracialism |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-030-17447-7 |
| isbn_softcover | 978-3-030-17449-1 |
| isbn_ebook | 978-3-030-17447-7 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
|Archiver|手機版|小黑屋|
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