| 書(shū)目名稱(chēng) | The Long Picturesque, or Unraveling the Rules of Art | | 編輯 | Patricia Emison | | 視頻video | http://file.papertrans.cn/914/913293/913293.mp4 | | 概述 | Studies the coherence, and evolution, of thought embedded in the western art tradition across centuries.Considers the importance of the imitation of nature to our understanding of centuries of western | | 圖書(shū)封面 |  | | 描述 | .This book provides a Renaissance art historian’s view of how the picturesque aesthetic developed from roots in the sixteenth century (mostly in painting, but with ramifications for printmaking, landscape design, and architecture), and further, how the picturesque aesthetic fundamentally changed the relationship between art and nature, between viewer and image. The book‘s argument is based on wide reading of obscure yet piquant critical texts, mostly of the seventeenth and eighteenth centuries, together with consideration of varied works of art, ranging from Fra Angelico to Raphael and Michelangelo, and from Rubens to Canaletto, and from James Gibbs to Jacques Demy, all of them studied not for their place in the history of style, but for their spatial imagination...?. | | 出版日期 | Book 2024 | | 關(guān)鍵詞 | renaissance art history; picturesque aesthetic; art and nature; spatial imagination; landscape design; ar | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-66701-5 | | isbn_softcover | 978-3-031-66703-9 | | isbn_ebook | 978-3-031-66701-5 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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