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Titlebook: The Idea of Music; Schoenberg and other Peter Franklin Book 1985 Peter Franklin 1985 German.knowledge.language.Leo Strauss.modernism.music.

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發(fā)表于 2025-3-21 17:59:22 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱The Idea of Music
副標(biāo)題Schoenberg and other
編輯Peter Franklin
視頻videohttp://file.papertrans.cn/912/911595/911595.mp4
圖書封面Titlebook: The Idea of Music; Schoenberg and other Peter Franklin Book 1985 Peter Franklin 1985 German.knowledge.language.Leo Strauss.modernism.music.
描述Why has modern music evolved as it has? Why is it that certain leading composers from the first half of this century are now considered insignificant, while the responsibility for the development of a musical language of modernism has been attributed to Schoenberg and the Second Viennese School? In this book the author seeks to re-examine Schoenberg‘s innovations through a reassessment of the nature of artistic expression and artistic truth. Starting from the premise that Austro-German music in the late nineteenth century was dominated by philosophical ideas, he has focused on writing by Schoenberg, Adorno and Thomas Mann, setting these alongside a discussion of the music of Pfitzner, Schreker, Mahler, Richard Strauss and Schoenberg himself, in a compelling argument for a review of the standard historical account of the period.
出版日期Book 1985
關(guān)鍵詞German; knowledge; language; Leo Strauss; modernism; music; nature; novel; opera; philosophy; progressive; Theo
版次1
doihttps://doi.org/10.1007/978-1-349-17996-1
isbn_softcover978-0-333-40028-9
isbn_ebook978-1-349-17996-1
copyrightPeter Franklin 1985
The information of publication is updating

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gnificant, while the responsibility for the development of a musical language of modernism has been attributed to Schoenberg and the Second Viennese School? In this book the author seeks to re-examine Schoenberg‘s innovations through a reassessment of the nature of artistic expression and artistic t
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Book 1985 while the responsibility for the development of a musical language of modernism has been attributed to Schoenberg and the Second Viennese School? In this book the author seeks to re-examine Schoenberg‘s innovations through a reassessment of the nature of artistic expression and artistic truth. Star
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https://doi.org/10.1007/978-1-349-17996-1German; knowledge; language; Leo Strauss; modernism; music; nature; novel; opera; philosophy; progressive; Theo
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