| 書(shū)目名稱(chēng) | The Comedy and Legacy of Music-Hall Women 1880-1920 | | 副標(biāo)題 | Brazen Impudence and | | 編輯 | Sam Beale | | 視頻video | http://file.papertrans.cn/907/906402/906402.mp4 | | 概述 | Explores the history of women performing comedy on the late-nineteenth and early-twentieth century popular stage.Examines the evolution of the exclusively female ‘serio-comic’ performers and considers | | 叢書(shū)名稱(chēng) | Palgrave Studies in Comedy | | 圖書(shū)封面 |  | | 描述 | This book explores the comedy and legacy of women working as performers on the music-hall stage from 1880–1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female ‘serio-comic’, the study includes six micro-histories detailing the acts of Ada Lundberg, Bessie Bellwood, Maidie Scott, Vesta Victoria, Marie Lloyd and Nellie Wallace. Uniquely for women in the late-nineteenth and early-twentieth centuries, these pioneering performers had public voices. The extent to which their comedy challenged Victorian and Edwardian perceptions of women is revealed through explorations of how they connected with popular audiences while also avoiding censorship. Their use of techniques such as comic irony and stereotyping, self-deprecation, and comic innuendo are considered alongside the work of contemporary stand-up comedians and performance artists including Bridget Christie, Bryony Kimmings, Sara Pascoe, ShaziaMirza and Sarah Silverman.. | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | Female Comedy; British Music Hall; Stand-up Comedy; Serio-Comic; Female Performance; Irony; Censorship | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-47941-1 | | isbn_softcover | 978-3-030-47943-5 | | isbn_ebook | 978-3-030-47941-1Series ISSN 2731-4332 Series E-ISSN 2731-4340 | | issn_series | 2731-4332 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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