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Titlebook: Synthetic Cinema; The 21st-Century Mov Wheeler Winston Dixon Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 CGI.Computer Ge

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發(fā)表于 2025-3-21 18:22:24 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Synthetic Cinema
副標(biāo)題The 21st-Century Mov
編輯Wheeler Winston Dixon
視頻videohttp://file.papertrans.cn/885/884352/884352.mp4
概述The first book to posit a theory of "synthetic cinema," the cinema of the contemporary film industry that dominates across genres and budgets.Offers inside technical information on how the films are m
圖書封面Titlebook: Synthetic Cinema; The 21st-Century Mov Wheeler Winston Dixon Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 CGI.Computer Ge
描述.In this book, Wheeler Winston Dixon argues that 21st-century mainstream filmmaking is increasingly and troublingly dominated by "synthetic cinema." He details how movies over the last two decades have fundamentally abandoned traditional filmmaking values through the overwhelming use of computer generated imagery, digital touch ups for the actors, and extensive use of green screen technology that replace sets and location shooting...Combined with the shift to digital cinematography, as well as the rise of comic book and franchise cinema, the temptation to augment movies with lavish, computer generated spectacle has proven irresistible to both directors and audiences, to the point that, Dixon argues, 21st-century commercial cinema is so far removed from the real world that it has created a new era of flawless, fake movies..
出版日期Book 2019
關(guān)鍵詞CGI; Computer Generated Effects; Franchise Film; Green Screen; Retouching
版次1
doihttps://doi.org/10.1007/978-3-030-12571-4
isbn_ebook978-3-030-12571-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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Wheeler Winston Dixonand action strategy involved in social worker intervention in supporting shidu mothers are analyzed. It finds that social worker intervention has had a significant positive impact on self-empowerment, environment improvement, and satisfaction for shidu mothers. Practical reflection suggests that the
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ma, the temptation to augment movies with lavish, computer generated spectacle has proven irresistible to both directors and audiences, to the point that, Dixon argues, 21st-century commercial cinema is so far removed from the real world that it has created a new era of flawless, fake movies..978-3-030-12571-4
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Synthetic Cinema: Leaving the Real World,make money. When digital cinema first appeared, computer-generated effects were already a reality, although they were used sparingly in fantasy, action, and adventure films, and practical cinematography—shot on actual film, of course—was still the norm for mainstream cinema. But with the shift to di
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Service Providers: Form Over Content,n-ended, and ultimately unsatisfying “epic” films for an even more indiscriminate audience. And yet, it really isn’t the fault of the viewers who flock to see the endless iterations of ., ., . and other franchise films; there’s nothing else on offer at the multiplex, and with everything online—behin
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