Titlebook: Studying Visual and Spatial Reasoning for Design Creativity; John S. Gero Conference proceedings 2015 Springer Science+Business Media Dord

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CRP743

Critical

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Spatial Transformations of Scene Stimuli: It’s an Upright Worldtions: object-based transformations, which re-orient the picture with respect to upright in the world, and perspective transformations, in which the viewer imagines themselves taking up a position within the depicted scene.

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Conference proceedings 2015As a consequence creativity is becoming a focus of research. However, much of this burgeoning research is distributed across multiple disciplines that normally do not intersect with each other and researchers in one discipline are often unaware of related research in another discipline..This volume

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NEEDY

SIRN—Synergetic Inter-Representation Networks: An Approach to Urban Planning and Design with Implica discussion below starts with an overview on planning design and construction. It then introduces the notion and models of SIRN. Next a SIRN view on planning and design is suggested and finally on visual-spatial reasoning and design creativity.

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Ubiquitous Serendipity: Potential Visual Design Stimuli are Everywhere combined to enable creative design idea generation. The sensitive designer possesses a ‘prepared eye’ which is able to take advantage of stimuli it encounters, randomly or intentionally, in any environment. We therefore assert that stimuli are ubiquitous and their exploitation is serendipitous.

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Thinking About Spatial Thinking: New Typology, New Assessmentsrgical residencies, which do not assess spatial ability in any way? The latter course is arguably supported by evidence (to be discussed later) showing that spatial skill is malleable. As another example of a practical question for design, consider what designers should or could know about the poten