Titlebook: Street Scenes; Late Medieval Acting Sharon Aronson-Lehavi Book 2011 Palgrave Macmillan, a division of Nature America Inc. 2011 concept.dial

Disaster

書目名稱Street Scenes影響因子(影響力)




書目名稱Street Scenes影響因子(影響力)學(xué)科排名




書目名稱Street Scenes網(wǎng)絡(luò)公開度




書目名稱Street Scenes網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Street Scenes被引頻次




書目名稱Street Scenes被引頻次學(xué)科排名




書目名稱Street Scenes年度引用




書目名稱Street Scenes年度引用學(xué)科排名




書目名稱Street Scenes讀者反饋




書目名稱Street Scenes讀者反饋學(xué)科排名

subacute

Concepts of Performance in ,,ance that create an effective experience? What are the specific needs and characteristics of “religious theatre”? How does such theatre conceive of actor/character dialectics, especially in the distinctive case of enacting holy figures? That is, how is the very place that actors . in this kind of th

不理會

978-1-349-37399-4Palgrave Macmillan, a division of Nature America Inc. 2011

卵石

利用

packet

https://doi.org/10.1057/9780230118119concept; dialectic; epic; Medieval Literature; medieval period; Middle Ages; performance; theatre

1分開

Conclusion, theory of the mystery plays are sophisticated and complex and express an enactment aesthetic that rests upon the dialogic nature of theatre and performance. Rather than concealing the theatrical mechanism medieval religious theatre celebrates its dual reference.

運(yùn)氣

Street Scenes: Epic Acting, Total Acting, and Performance,illingness to create a mimesis based on similarity, a merging of the performing and the performed, the governing aesthetic sought the opposite. In other words, the objective was to emphasize, rather, the duality of the two, for which purpose a variety of theatrical conventions were used.

嚴(yán)厲譴責(zé)

一瞥