Titlebook: Stray Dog of Anime; The Films of Mamoru Brian Ruh Book 2004 Brian Ruh 2004 animation.cinema.film

板條箱

書(shū)目名稱(chēng)Stray Dog of Anime影響因子(影響力)




書(shū)目名稱(chēng)Stray Dog of Anime影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Stray Dog of Anime網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Stray Dog of Anime網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Stray Dog of Anime被引頻次




書(shū)目名稱(chēng)Stray Dog of Anime被引頻次學(xué)科排名




書(shū)目名稱(chēng)Stray Dog of Anime年度引用




書(shū)目名稱(chēng)Stray Dog of Anime年度引用學(xué)科排名




書(shū)目名稱(chēng)Stray Dog of Anime讀者反饋




書(shū)目名稱(chēng)Stray Dog of Anime讀者反饋學(xué)科排名

penance

, (1981–84),oductions, Oshii followed his mentor, Hisayuki Toriumi, to Studio Pierrot where he began to hone his skills at directing animation. While there, Oshii worked on a number of shows, most notably .. An adaptation of a Swedish fairy tale, . is a tale of a young boy’s quest for identity that features gee

流浪

(1985),, it also served as the impetus for his former colleagues to create the popular animated film . (1986). Yūji Moriyama, director of animation and storyboard artist on ., stated: “The crew [of .] consisted mainly of people who had worked on .. Initially, that TV series was directed by Mamoru Oshii, bu

詩(shī)集

(1987),was intended to highlight the stories and talents of up-and-coming anime directors through a series of unconnected, imaginative short stories, but the project lasted only two episodes. The title of the series can be read as an homage to two influential television shows: . and ., a mid-1960s’ series

尖叫

obeisance

(1995),y with the company Bandai, whose various subsidiaries produce video games, toys, and animation. Oshii had been working on another anime project for Bandai between the two . films, but the company suddenly canceled it. Said Oshii, “I was so upset that I asked Bandai if I could direct something else,

Ejaculate

(2000) and , (2000),he did not serve as director, but was nonetheless a major creative force. The two films, . and ., are fascinating companion pieces because they are nearly polar opposites in terms of approach and style.

生命層

Conclusion,ing meditations on the position of humans in modern society. Even though his most recent works have been live-action films (. and a segment of the live-action compendium . [2003]) that he directed, Oshii has certainly not abandoned the medium of anime. He is currently at work on the sequel to ., one

神刊

(1985),t he stepped down along the way. His defection demoralized the crew and left us utterly unmotivated. We were ready to move on to something more interesting, something we could really sink our teeth into. Those of us who shared that sentiment got together and brainstormed. And this film is the culmination of all our ideas.”.

平庸的人或物