Titlebook: Storytelling in Radio and Podcasts; A Practical Guide Sven Preger Textbook 2021 The Editor(s) (if applicable) and The Author(s), under excl

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Jingoism

A Good Story: Delivering an Experience, leads to major problems. The good news is that these problems can be avoided. To do so, you need to ask the right questions: Does my material match the central story principles? Do I have a real narrative sentence? Does the story work as an audio story? This chapter examines criteria for story chec

惹人反感

No Story Without Structure: Plot Development,e) that it will work out one way or the other anyway. And that’s exactly how many stories sound. No structure, no exciting story. Structure and plot not only carry the story but also help producers and reporters get a grip on their material. Structure and plot serve the story, not vice versa. Manifo

CIS

Character Development: The Actor Drives the Story,re. The relationship between listener and protagonist and other characters is crucial. The more characters appear, the more important it is to make them recognisable, to let them feature in different scenes. In order to achieve this goal and to obtain the necessary original sound tape, cooperation b

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Dynamic Storytelling: How to Build Suspense, plot is designed and gradually filled. The story develops in detail. But how do I manage to maintain tension in a narrative from beginning to end? What makes it into the story, what doesn’t? And how do I design all the different elements? This chapter answers these questions and provides the approp

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liaison

Palpable

extrovert

Ethics and the Limits of Narrations: Is This Still Journalism?,, in short: no (real) journalism. Many of these arguments are important and worthy of debate. After all, dealing with such criticism and the arguments behind it may not only lead to greater understanding, but also help authors to find, comprehend and explain their position. This chapter debates the

倫理學(xué)