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Titlebook: Staging Science; Scientific Performan Martin Willis Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Literature.Science.Victo

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樓主
發(fā)表于 2025-3-21 17:00:55 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Staging Science
副標(biāo)題Scientific Performan
編輯Martin Willis
視頻videohttp://file.papertrans.cn/876/875588/875588.mp4
叢書名稱Palgrave Studies in Literature, Science and Medicine
圖書封面Titlebook: Staging Science; Scientific Performan Martin Willis Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Literature.Science.Victo
描述This book considers scientific performances across two centuries, from the early nineteenth century to the present day. Performances include demonstrations of technologies, experiments that look like theatre, theatre that looks like science, tourist representations and natural history film-making. Its key aim is to open debate on how scientific activity, both historical and contemporary, might be understood in the context of performance studies and the imaginative acts required to stage engaging performances..Scientific performances have become increasingly of interest to historians of science, literature and science scholars, and in the field of science studies. As yet, however, no work has sought to examine a range of scientific performances with the aim of interrogating and illuminating the kinds of critical and theoretical practices that might be employed to engage with them. With scientific performance likely to become ever more central to scholarly study in the next few years this volume offer a timely, and early, intervention in the existing debates, and aims, too, to be a touchstone for future work..
出版日期Book 2016
關(guān)鍵詞Literature; Science; Victorian; Contemporary literature; Theatre studies; Drama; History of science; Media
版次1
doihttps://doi.org/10.1057/978-1-137-49994-3
isbn_ebook978-1-137-49994-3Series ISSN 2634-6435 Series E-ISSN 2634-6443
issn_series 2634-6435
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:19:09 | 只看該作者
Introduction: Imaginative Mobilities,ion has been extensively studied, there remain other kinds of questions that have still to be answered. In particular the study of scientific performances from a range of perspectives will illuminate the relationships between the sciences and imagination, as well as between the aesthetic and the epi
板凳
發(fā)表于 2025-3-22 01:56:35 | 只看該作者
,Making the Most Beautiful Experiment: Reconstructing Gassiot’s Cascade,antiation as the cascade, to numerous public audiences through the 1850s. Morus considers the extensive knowledge—both technical and scientific—that was required to stage the cascade demonstrations and reveals the numerous networks of production that contributed to it. In doing this, and in revealin
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Of Hats and Scientific Laughter,sing this commonplace but now forgotten music hall performance enables Watt Smith to ask what relationships exist between dramas designed to elicit laughter and psychological studies of laughter, which also worked extensively with hats. Watt Smith concludes that psychological practices were indebted
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,Making the Most Beautiful Experiment: Reconstructing Gassiot’s Cascade,g the complex skills required to make such performances work, Morus also shows how these popular demonstrations fed back into the skills needed for scientific experimentation and claims that without them late Victorian physics would have lacked the expertise it needed to investigate.
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