Titlebook: Stage Designers in Early Twentieth-Century America; Artists, Activists, Christin Essin Book 2012 The Editor(s) (if applicable) and The Aut

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The Designer as Author,and the state of the contemporary American theatre. In 1940, Jones traveled the country on a lecture circuit, speaking to students at a number of colleges and universities about his professional experiences and, more significantly, his projections for a future theatre that would capture the modern s

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The Designer as Cultural Critic,design profession and brought renown to its artists but, he conceded, it had failed to inspire a truly innovative modern American theatre. In the minds of many audiences, the New Stagecraft had been merely one scenographic style among many, a movement that was “over and done” because it became “fash

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2947-5767 es on the page, stage, and beyond that helped American audiences see the everyday landscapes and exotic destinations from a modern perspective.978-1-137-49664-5978-1-137-10839-5Series ISSN 2947-5767 Series E-ISSN 2947-5775

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