Titlebook: Spain in British Romanticism; 1800-1840 Diego Saglia,Ian Haywood Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Spanish inf

揉雜

Southey, Spain, and Romantic Apostasyively affected his feelings for Spain. He was on the point of completing his reproachful poem ‘Pelayo’when the much more promising news of the Madrid ‘Dos de Mayo’ uprisings reached him. Sincerely concerned with the new state of affairs in the Iberian Peninsula, he then set aside ‘Pelayo’. Later, he

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效果

Spain and Byron’s , (1823)ellington paradoxically combined with support for the Spanish patriots who were fighting for independence. A decade later, Wellington was the British representative at the Congress of Verona, and the Spaniards were facing yet another French intervention. Byron, who had called Ferdinand VII ‘a(chǎn) fool’

親屬

Felicia Hemans, Spain and Cosmopolitan Liberalismollapsing under the French military invasion decreed by the Holy Alliance. Against this background, in June 1823 Felicia Hemans published her volume.. A combination of dramatic, narrative and lyrical verse, this book features episodes from the past of Spain, Greece and, to a lesser extent, Italy, th

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CAMEO

Spain in Gothic Fictionnd female victims, and a harsh, impassive Spanish Inquisition which revels in meting out spectacular punishment to those characters who transgress its strictly encoded Catholic laws. But as this essay argues, representations of Spain in the popular Gothic novel during the Romantic period were more c

Crepitus

British Women Writers of Peninsular Fiction Fraser (who wrote under the pseudonym “Honoria Scott”), “Mrs Meeke” (a prolific contributor to the Minerva Press) and Anna Maria Porter. Reading these authors as precursors to Alexander Dallas, who is generally seen as the instigator of the Peninsular War novel “proper”, this chapter illustrates ho

團(tuán)結(jié)

The Spanish “Revolution” in Print and Imagethe oppositional, liberal—radical press and graphic satire. It is in these neglected sources that we find some of the most outspoken embracing of the Spanish ‘revolution’ and the most intense criticism of both British and Spanish apostasy and corruption. Beginning with the scandalous ‘Don Cevallos’

Fluctuate

Coleridge and Spanish LiteratureBritish political interests observed in the . is a pattern repeated upon the literary field in post-war times by different procedures, which allow him to come to terms with his Spanish literary heroes in the Peninsular War aftermath.