Titlebook: Spaces and Meanings; Semantics of the Cul Olga Lavrenova Book 2019 Springer Nature Switzerland AG 2019 Cultural Landscape as a Metaphor.Cul

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蓋他為秘密

Conclusion,nal and ontological self-sufficiency. Interpreting of the cultural landscape as a metaphor, a sign system and a text, undertaken in this paper, represents the author’s construct assisting to adequately show varied manifestations of the ontological and phenomenological essence of the cultural landscape and its corresponding culture.

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Nutrient

Introduction,concept of the research. That part of semiosphere, were the characters are the geographical locations and their respective names as well as names of water objects, is denoted as the goal of the study. The author‘s definitions of the terms “culture”, “geo-cultural space” and “cultural landscape” are

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Genesis of Culture in Space. Conception of Cultural Landscape in Context of Cultural and Philosophiof the problem field are outlined in terms of semantic components in relationship of culture and space.. addresses noosphere and pneumatosphere as basic concepts for study of the problem..Modern science studying the interaction of culture and space viewes the scope of manifestations on Earth of a hu

Deference

Universal Categories of Culture in Landscape: Time and Transcendence,e? in the cultural landscape. Universal categories of culture, determining its mentality and existence create a sustainable object, which Aron Gurevich defines as ?a model of the world? (?world view?, ?image of the world?), typical for a given culture and era—that ?grid?, which determines the percep

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Cultural Landscape as a Metaphor, a result of semiosis, we tried to find a place in it to such semiotic concept as a metaphor. Nina Arutyunova supposes that an image, a metaphor and a symbol arise spontaneously in the process of artistic development of the world and that their meaning is not fully formed, as both the metaphor and t

MILL

Cultural Landscape as a Sign System,theoretical principles of semiotics, concerning in particular the categories of signs and sign situation in relation to the realities of the cultural landscape. Culture is based on the semiotic mechanisms, it is continuously generated new signs and preserved existing ones, both of them come into the

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謙虛的人

Conclusion,culture which is fixed in geographical space with the help of semiotic mechanisms—it is a special area of life of culture, having some certain functional and ontological self-sufficiency. Interpreting of the cultural landscape as a metaphor, a sign system and a text, undertaken in this paper, repres