Titlebook: South-Asian Fiction in English; Contemporary Transfo Alex Tickell Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 India.Paki

Harness

跳脫衣舞的人

紡織品

Cirrhosis

Occupying Literary and Urban Space: Adiga, Authenticity and the Politics of Socio-economic Critiquearacterization as ‘utterly cartoonish, like the characters in a bad Bollywood melodrama’, and finds Adiga’s ‘presentation of ordinary people […] not only trite but offensive’ (Kumar 2008). Kumar’s objection is Adiga’s apparent assumption that he can ‘a(chǎn)uthentically’ represent the inner thoughts of a

殺菌劑

Contemporary Indian Commercial Fiction in Englishpendent and international publishers with ‘Indian-English literature’—particularly fiction—has taken place. In this regard the current phase of development can be traced back to the independent publisher Ravi Dayal’s (established 1988) success with Amitav Ghosh’s . (1988) and to the setting up of Pe

Moderate

Genre Fiction of New India: Post-millennial Configurations of Crick Lit, Chick Lit and Crime Writingiting, detective fiction, narratives referred to as ‘mythology’ as well as young, urban India storylines. The identity of Indian fiction in English has changed significantly and also relatively quickly in the last 15 years. This change can be explained in part by a rise in commercial Indian fiction

Prophylaxis

臥虎藏龍

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