Titlebook: South-Asian Fiction in English; Contemporary Transfo Alex Tickell Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 India.Paki

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Introduction

Defiance

Minor Literature and the South-Asian Short Storyt story as a form of ‘minority literature’, in Deleuze and Guattari’s celebrated formulation, a genre that effects a de-territorialization of the terrain of prose fiction, which has been traditionally dominated by the novel (Deleuze and Guattari 1986).

下級

The Editor(s) (if applicable) and The Author(s) 2016

aspersion

Introduction,of South-Asian authors with the edgy, urbane, drug-dealing netherworld of the Lahore elite represented in .:Ironically, a ‘terrible explosion’, which would have lasting consequences for Pakistan, happened elsewhere, outside South Asia, 9 months later, and subsequently provided the backdrop of Hamid’

高度贊揚(yáng)

Of Capitalism and Critique: ‘Af-Pak’ Fiction in the Wake of 9/11finds herself wondering whether violence and ‘terror’ have become ‘sexy to Western readers’ implicating some writers in a ‘cold-blooded consideration of market trends’ (2012, p. 152). In an essay which is justifiably sceptical of this phenomenon, Shah ends up conceding, however, that events pursuant

清唱劇

‘An Idea Whose Time Has Come’: Indian Fiction in English After 1991it was included as the first (and only non-fiction) text in his controversial . (1997) co-edited with Elizabeth West. Since then, Nehru’s unique contribution to the development of English literary prose in India has been further recognized (Khilnani 2003, p. 156) and the elision of a ‘messianic’ awa

展覽

English-Language Fiction of Bangladeshg English could gain audiences for their work. However, with the 2012 entrance onto the publishing scene of ., Khademul Islam’s new literary online and print magazine, the recent launch of Bengal Lights Books in 2014 (Bengal Lights 2015) and the first Dhaka Hay Festival, also in 2013, which, accordi

Incommensurate

Adj異類的

Writing the Margins (in English): Notes from Some South-Asian Citiesand uneven urbanization of much of the global South in the last few decades. Rupa Bajwa’s Amritsar may at first glance have the placid feel of a small town, but it seethes and pulsates with the powerless rage and frustration of its angst-ridden protagonist (. 2004). Indra Sinha’s Khaufpur (‘Terror T