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Titlebook: Sound, Symbol, Sociality; The Aesthetic Experi Matthew P. Unger Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Sociology of

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11#
發(fā)表于 2025-3-23 13:47:16 | 只看該作者
ce, and transgression. This book contributes to the sociology of sound and music, the study of religion in popular culture, and the role of aesthetics in everyday life. It will be of interest to upper level students, post-graduate students and scholars of religion, popular culture, and philosophy.978-1-137-47835-1
12#
發(fā)表于 2025-3-23 15:19:49 | 只看該作者
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發(fā)表于 2025-3-23 19:23:25 | 只看該作者
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發(fā)表于 2025-3-24 01:48:10 | 只看該作者
15#
發(fā)表于 2025-3-24 02:33:36 | 只看該作者
16#
發(fā)表于 2025-3-24 10:24:16 | 只看該作者
Defilement and Social Theory,esthetics. Grotesque artistic expressions evoke a particular social experience that has prompted thinkers to examine the social, political and aesthetic meaning of visceral experiences of disgust and revulsion. While theorists have attempted to ground this experience in trans-historical necessity, U
17#
發(fā)表于 2025-3-24 10:52:55 | 只看該作者
18#
發(fā)表于 2025-3-24 17:45:55 | 只看該作者
The Modalities of Defilement Within Extreme Metal,lysis of symbols can capture the aesthetic resonance between different social discourses. In this chapter Unger analyzes several modalities of defilement that comprise the extreme metal experience beginning with a close examination of the ways that musicians express themes and experiences of authent
19#
發(fā)表于 2025-3-24 19:05:33 | 只看該作者
The Symbolic Experience of Christian Extreme Metal,nental theorists of the post-secular era. Unger’s argument in this chapter is that the religious symbols, expression, and even experience of this genre are constrained through the privileging of various aesthetic modes of extreme metal. Christian extreme metal lyrics, sonic and structural musical el
20#
發(fā)表于 2025-3-25 03:06:02 | 只看該作者
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