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Titlebook: Small Viscosity and Boundary Layer Methods; Theory, Stability An Guy Métivier Book 2004 Springer Science+Business Media New York 2004 Appli

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樓主: fitful
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發(fā)表于 2025-3-23 13:27:41 | 只看該作者
2164-3679 e solution, called layers. Boundary layers occur in many problems in physics and mechanics. They also occur in free boundary value problems, and in particular in the a978-1-4612-6496-5978-0-8176-8214-9Series ISSN 2164-3679 Series E-ISSN 2164-3725
12#
發(fā)表于 2025-3-23 15:21:31 | 只看該作者
everything’ (p. 100), and will therefore ‘relieve our ignorance’ by saving us ‘from tormenting ourselves’ (p. 99). Although Law agrees that the strict piety he advises might at first seem oppressive and anxiety-producing (p. 93), it is, he concludes, really the opposite, as the test of common exper
13#
發(fā)表于 2025-3-23 18:56:34 | 只看該作者
ls of false universality and determinism, attempting to revitalize the possibilities for positive freedom through struggle in the present. Saturated with apprehension of a “signal crisis” of neoliberal capitalism, they imagine the contemporary as a spectrum that may or may not be a transit point to
14#
發(fā)表于 2025-3-24 00:27:28 | 只看該作者
15#
發(fā)表于 2025-3-24 06:10:13 | 只看該作者
Guy Métivierrbanized. Literary urban studies, with its traditional focus on the imposing capitals of modernity and postmodernity, has so far remained underdeveloped in its engagement with these new developments. In much of the scholarly research on city literature, cities that are below the radar of Western met
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發(fā)表于 2025-3-24 08:45:38 | 只看該作者
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發(fā)表于 2025-3-24 11:24:48 | 只看該作者
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發(fā)表于 2025-3-24 15:08:01 | 只看該作者
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發(fā)表于 2025-3-24 22:34:12 | 只看該作者
Guy Métivierntriving, but inherent in the narrative he has chosen to dramatize. Since this purpose can be completed only with the connivance of the principal character, the character must be instrumental to the author’s purpose of satisfying the demands of the narrative he controls. We have seen, though, how Ha
20#
發(fā)表于 2025-3-25 01:19:10 | 只看該作者
Guy Métivierntriving, but inherent in the narrative he has chosen to dramatize. Since this purpose can be completed only with the connivance of the principal character, the character must be instrumental to the author’s purpose of satisfying the demands of the narrative he controls. We have seen, though, how Ha
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