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Titlebook: Slave Songs and the Birth of African American Poetry; Lauri Ramey Book 2008 Lauri Ramey 2008 America.Amerikanische Literatur.lyric.poetry

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發(fā)表于 2025-3-21 19:56:03 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Slave Songs and the Birth of African American Poetry
編輯Lauri Ramey
視頻videohttp://file.papertrans.cn/869/868321/868321.mp4
圖書封面Titlebook: Slave Songs and the Birth of African American Poetry;  Lauri Ramey Book 2008 Lauri Ramey 2008 America.Amerikanische Literatur.lyric.poetry
描述In this insightful and provocative volume, Rameyreveals spirituals and slave songs to be a crucial element in American literature. This book shows slave songs‘intrinsic value as lyric poetry, sheds light on their roots and originality, anddraws new conclusions on anart form long considereda touchstone of cultural imagination.
出版日期Book 2008
關(guān)鍵詞America; Amerikanische Literatur; lyric; poetry
版次1
doihttps://doi.org/10.1057/9780230610163
isbn_softcover978-0-230-10034-3
isbn_ebook978-0-230-61016-3
copyrightLauri Ramey 2008
The information of publication is updating

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Introduction,rs in multiple disciplines, which serves as testimony to the virtually universal appeal of this inspirational, heart-rending, mystical, satirical, tragic, hopeful, pragmatic, and altogether multifaceted body of music and verse. Slave songs have been collected, recorded, performed, and studied as art
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發(fā)表于 2025-3-22 13:33:43 | 只看該作者
Slave Songs and the Lyric Poetry Traditions,d. William Wordsworth’s “1800 Preface to . is probably the most frequently cited touchstone for modern conceptions of the lyric poem. In describing the goal of his revolutionary collection, Wordsworth felt it necessary to explain in the “Preface”: “It was published as an experiment, which I hoped mi
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發(fā)表于 2025-3-22 20:55:27 | 只看該作者
Theology and Lyric Poetry in Slave Songs, role as “bible” for its own culture as well as perhaps the central Western canonical text for oral-to-written verse. In this sense, slave songs are part of an ancient tradition. As with a great deal of such sacred verse, slave songs embody both a permeable boundary between the sacred and secular an
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