Titlebook: Sisters and Rivals in British Women‘s Fiction, 1914-39; Diana Wallace Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Lim

他去就結(jié)束

重畫只能放棄

延期

,‘My Second Self’: Winifred Holtby and Vera Brittain,ched marriage’ (redefining the ‘honourable estate’ of matrimony), Holtby’s offers a vision of female community based on shared work. Competition is still evident, however, in Brittain’s reflection that: ‘I shall never do anything to equal this!’ (1986, 228).

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Sisters and Rivals in British Women‘s Fiction, 1914-39978-0-230-59880-5

激怒某人

新星

Introduction,‘Other Woman’ in the triangle – wife or mistress – and is mediated through their relation to the man for whom they are rivals. This is, as VirginiaWoolf implies here in . (1929), the male plot of female rivalry – ‘simplified, conventionalised’. It is the stereotype that Bertrand Russell accepted whe

盡忠

,‘An Age of Transition’: Historical Context,rked, ‘there is now a reaction against it’ (1934, 151). According to Deirdre Beddoe in ., ‘the single most arresting feature of the inter-war years is the strength of the notion that women’s place is in the home’ (1989, 3). Fears that women were encroaching on traditionally male territory led to deb

negotiable

Theorising Female Rivalry, the two influential essays on female development which he formulated during the inter-war period – ‘Female Sexuality’ (1931) and ‘Femininity’ (1932). The male-identified erotic triangle, particularly if the male rival is older, can be read, as Rene? Girard reads it in ., in terms of the boy’s desir

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