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Titlebook: Silent Film Performance; Dramatic Bodies on S Elisabetta Girelli Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive

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發(fā)表于 2025-3-21 17:57:00 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Silent Film Performance
副標(biāo)題Dramatic Bodies on S
編輯Elisabetta Girelli
視頻videohttp://file.papertrans.cn/868/867276/867276.mp4
概述Provides a groundbreaking exploration of silent film performance.Combines close reading of silent film acting with theoretically informed analysis.Challenges the boundary between silent and sound film
圖書封面Titlebook: Silent Film Performance; Dramatic Bodies on S Elisabetta Girelli Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive
描述.This book provides a groundbreaking exploration of silent film performance. It combines close reading of silent screen acting with theoretically informed analysis, stressing the overlap between different performative arts, such as film and stage acting, dance, mime, and pantomime. The boundary between silent and sound films is also challenged. Anna Pavlova’s acting in?.The Dumb Girl of Portici.?is read through Freud’s work on the uncanny, disability studies, and notions of intermediality. Vladimir Mayakovsky’s performance in?.The Young Lady and the Hooligan?.is approached as a silent soliloquy and a representation of loneliness. Ivan Mozzhukhin’s tour de force in?.The Late Mathias Pascal.?is discussed through a queer failure lens, while Pola Negri’s presence in?.Hotel Imperial.?is analysed with the aid of texts on wartime anxiety. Harald Kreutzberg’s stunning number in?.Paracelsus.?is examined in the light oftheories of mime and pantomime, arguing for its subversive potential in a Third Reich sound film..
出版日期Book 2021
關(guān)鍵詞Communication; Film; Media; Performance; Screen
版次1
doihttps://doi.org/10.1007/978-3-030-75103-6
isbn_softcover978-3-030-75105-0
isbn_ebook978-3-030-75103-6
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Introduction,ussed, while highlighting the unique aspects of non-verbal screen acting. The chapter then moves on to the book’s methodology and scope, locating their place within Film Studies, and stressing the author’s pledge to the final cut: the main concern of this work is what actors actually . on screen. A
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,‘Our Bravest and Most Beautiful Soldier’: Pola Negri, Wartime, and the Gendering of Anxiety in , (1r, 1927, USA). Assessing Negri’s character within the wartime context of the plot, her screen presence and narrative function are analysed in relation to wartime anxiety, gender roles, and the role of the home front. The chapter argues that Negri’s exceptional display of anxiety, in contrast to the
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Elisabetta Girelliral services. This book follows an incremental approach to teach microservice structure, test-driven development, Eureka, Ribbon, Zuul, and end-to-end tests with Cucumber..Author Moises Macero follows a very pragmatic approach to explain the benefits of using this type of software architecture, inst
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