Titlebook: Sherlock Holmes and Conan Doyle; Multi-Media Afterliv Sabine Vanacker,Catherine Wynne Book 2013 Palgrave Macmillan, a division of Macmillan

濃縮

,‘Open the Window, Then!’: Filmic Interpretation of Gothic Conventions in Brian Mills’s , Doyle’s application of such elements in ., little has been said of their appropriation in Brian Mills’s 1988 Granada adaptation and their effect upon contemporary reception of this constantly evolving narrative.

人類學(xué)家

The Curious Case of the Kingdom of Shadows: The Transmogrification of Sherlock Holmes in the Cinemanise ‘Sherlock Holmes’ as an icon of late nineteenth-century popular culture: a symbol of empiricism and rationality, and a fictive detective who had been able to unravel every forensic detail of the world of his time. The collision between Holmes’s steadfast rationality and the capacity of the cine

cumulative

Sherlock Holmes, Italian Anarchists and Torpedoes: The Case of a Manuscript Recovered in Italy1, and frequenting ‘garish’ Italian restaurants (Doyle, 1997: 103). His knowledge of the Italian language, as Enrico Solito suggests,. is good and ‘The Adventure of the Red Circle’ (1911) demonstrates his ability to decipher a coded light signal in Italian. Whereas, in . (2003), Watt and Green simply

Spinal-Tap

Channelling the Past: , and the Neo-Victorian Uncanny,riting of Doyle, who took up Edalji’s case and campaigned for a reversal of this judgement – also implicitly resurrects Sherlock Holmes, as it is in response to this case that Doyle dons his creation’s mantle and turns detective.. The background to Doyle’s involvement with Edalji is outlined by Mart

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