Titlebook: Shelley‘s German Afterlives; 1814-2000 Susanne Schmid Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 lyric.poet.Roman

戲服

debouch

Revolutionary Shelley,berty and equality remained catchwords, waiting to be turned into forbidden action. Having arrived on the scene too late to take an active part, Shelley hoped for belated acknowledgment as a radical. Indeed, his life as an outcast and his subversive ideas appealed to his red readers so much that the

過(guò)去分詞

,Faustian, Mystical, Parricidal: Shelley’s Strong Selves, Germany, namely, Shelley’s strong selves: the Faustian liberator Prometheus, the diabolic Count Cenci and his parricidal daughter, and the mystical poet who commands an all-encompassing vision. This strand of Shelley’s reception dominates the five decades between 1870 and 1920, the fin de siecle an

使閉塞

Conclusion,tschmerz and the Faustian striving that prevail in many of Shelley’s texts make his German reception particularly interesting. If earlier studies of literary reception have focused on the influence one great author exerts upon another, I have attempted to prove that source material not always consid

針葉類的樹(shù)

2691-1256 erman reception as a case study. It also highlights Anglo-German literary and cultural relations of the nineteenth and twentieth centuries and supplies a theoretical framework for further analysis.978-1-349-53753-2978-0-230-60423-0Series ISSN 2691-1256 Series E-ISSN 2634-5218

xanthelasma

Introduction: Immaterial Angel or Material Poet?, which followed in the wake of the Byron fever, soon manifested itself in numerous biographical sketches, translations, and imitations. Although the early reception focused on his life death, and funeral, his poetry soon found appreciation.

ACRID

Revolutionary Shelley,ous fame than Byron. Lectures on Shelley were popular, journalists frequently quoted him, and his poetry was recited at meetings. As many of the Chartist leaders were poets themselves, they felt inspired by Shelley’s radical ideas, expressed in his infl uential poem ., which was distributed widely through a large number of cheap pirated editions

沉思的魚(yú)

,Faustian, Mystical, Parricidal: Shelley’s Strong Selves, ist unrettbar” (“The self cannot be saved”),. Freud’s unveiling of the illusion of a coherent self and Nietzsche’s claim that man was essentially lonely all let the subject appear fragile and contributed to a growing awareness of its fictions and autofictions.

Entropion

Systemic