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Titlebook: Shelley and Greece; Rethinking Romantic Jennifer Wallace Book 1997 Palgrave Macmillan, a division of Macmillan Publishers Limited 1997 cul

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發(fā)表于 2025-3-21 19:23:31 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Shelley and Greece
副標(biāo)題Rethinking Romantic
編輯Jennifer Wallace
視頻videohttp://file.papertrans.cn/867/866557/866557.mp4
圖書封面Titlebook: Shelley and Greece; Rethinking Romantic  Jennifer Wallace Book 1997 Palgrave Macmillan, a division of Macmillan Publishers Limited 1997 cul
描述Traditionally Hellenism is seen as the uncontroversial and beneficial influence of Greece upon later culture. Drawing upon new ideas from culture and gender theory, Jennifer Wallace rethinks the nature of classical influence and finds that the relationship between the modern west and Greece is one of anxiety, fascination and resistance. Shelley‘s protean and radical writing questions and illuminates the contemporary Romantic understanding of Greece. This book will appeal to students of Romantic Literature, as well as to those interested in the classical tradition.
出版日期Book 1997
關(guān)鍵詞culture; democracy; gender; Greece; identity; national identity; Romanticism; Tradition
版次1
doihttps://doi.org/10.1057/9780230373952
isbn_ebook978-0-230-37395-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1997
The information of publication is updating

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發(fā)表于 2025-3-21 21:42:29 | 只看該作者
Book 1997f anxiety, fascination and resistance. Shelley‘s protean and radical writing questions and illuminates the contemporary Romantic understanding of Greece. This book will appeal to students of Romantic Literature, as well as to those interested in the classical tradition.
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發(fā)表于 2025-3-22 03:05:45 | 只看該作者
e is one of anxiety, fascination and resistance. Shelley‘s protean and radical writing questions and illuminates the contemporary Romantic understanding of Greece. This book will appeal to students of Romantic Literature, as well as to those interested in the classical tradition.978-0-230-37395-2
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發(fā)表于 2025-3-22 05:43:18 | 只看該作者
Explorations,as an exemplary race, living at the dawn of the world and supposedly sharing its dewy freshness. They surpass later ages both in simplicity and in sophistication. Generations of critics have compared them to an innocent child, ‘younger, with fewer lines and wrinkles on its features and with more def
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,‘Hope beyond Ourselves’: Orientalising Greece,en appear wild and uncontrollable. Smelling of wine and the untamed countryside outside the city walls, they are liberated from formal constraints. More crucially, they have been orientalised, overwhelmed by the god Dionysus who has returned from Asia where he introduced his dances and rites. The wo
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發(fā)表于 2025-3-22 23:21:56 | 只看該作者
,‘Grecian Grandeur’: Authority, Tyranny and Fragmentation,f Romantic hellenism.. The drawing depicts a man huddled over and clutching his head in bewilderment and despondency. Beside him are an enormous marble foot and a huge hand, with index finger raised as if issuing a command. The fragmented state of the marble remains is powerful. If this is only the
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