Titlebook: Sharing the Burden of Stories from the Tutsi Genocide; Rwanda: écrire par d Anna-Marie de Beer Book 2020 The Editor(s) (if applicable) and

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Trauma and Storytelling in Africa,ahman Waberi, Tierno Monénembo, Monique Ilboudo, Nocky Djedanoum, Vénuste Kayimahe, and Jean-Marie Vianney Rurangwa. It speaks to the African and Afropolitan frameworks and lenses that constitute a strong presence in the texts. Instead of using Western and Eurocentric tropes, this volume looks at an

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,Journeys and Fables: Koulsy Lamko and Véronique Tadjo,th communitarian value systems, approaches to storytelling and attitudes to trauma that are particular to African contexts. I consider the authors’ creative reappropriation of the oral narrative genre and how this speaks to the sociopolitical context of the texts. I discuss how elements such as the

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,Living in Shadows: Monique Ilboudo and Tierno Monénembo,ed by sites of violence, haunting memories, recurring nightmares, and survivor guilt. The portrayal of the aftermath of genocide is the perspective that I adopt for this chapter, in which I analyze the novels by Monique Ilboudo (.) and Tierno Monénembo (., translated into English as .). Both authors

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,Poems, Testimonies, and Essays: Nocky Djedanoum, Jean-Marie Rurangwa, and Vénuste Kayimahe,Rurangwa are the only two Rwandans among the authors.) These texts are often excluded from in-depth analyses; however, they provide useful insights due to the positioning of the two Rwandan authors in comparison to the non-Rwandan writers. These three texts are diverse in terms of genre and style, b

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Book 2020led ‘Rwanda: écrire par devoir de mémoire’ (Rwanda: Writing by Duty of Memory), undertaken in 1998 by a group of nine African authors. This work emphasizes the Afropolitan cultural frame in which the texts were conceived and written. Instead of using Western and Eurocentric tropes, this volume looks

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978-3-030-42095-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl