| 書目名稱 | Shakespeare’s Visual Regime | | 副標(biāo)題 | Tragedy, Psychoanaly | | 編輯 | Philip Armstrong | | 視頻video | http://file.papertrans.cn/867/866305/866305.mp4 | | 圖書封面 |  | | 描述 | Can postmodern accounts of the gaze - deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere - tell us anything about those structures of vision prior to, and repressed by, modernity? Shakespeare‘s Visual Regime examines the tragedies, histories, and Roman plays for an emergent early modern spectatorial subject, thereby locating Shakespearean theatre within those discourses most crucial to the contemporary exposition and disruption of regimes of vision: perspective painting, cartography, optics, geometry, Puritan anti-theatrical polemic, and the occult. | | 出版日期 | Book 2000 | | 關(guān)鍵詞 | Hamlet; King Lear; novel; pain; psychoanalysis; theatre; William Shakespeare; British and Irish Literature | | 版次 | 1 | | doi | https://doi.org/10.1057/9780230288874 | | isbn_softcover | 978-1-349-41835-0 | | isbn_ebook | 978-0-230-28887-4 | | copyright | Philip Armstrong 2000 |
The information of publication is updating
|
|