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Titlebook: Shakespearean Continuities; Essays in Honour of John Batchelor,Tom Cain,Claire Lamont Book 1997 Palgrave Macmillan, a division of Macmilla

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發(fā)表于 2025-3-21 18:33:57 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Shakespearean Continuities
副標題Essays in Honour of
編輯John Batchelor,Tom Cain,Claire Lamont
視頻videohttp://file.papertrans.cn/867/866260/866260.mp4
圖書封面Titlebook: Shakespearean Continuities; Essays in Honour of  John Batchelor,Tom Cain,Claire Lamont Book 1997 Palgrave Macmillan, a division of Macmilla
描述This substantial collection includes contributions from leading international Shakespeare scholars such as Tom Craik, Philip Edwards, IngA-Stina Ewbank, R.A. Foakes, G.K. Hunter, Kenneth Muir, A.D. Nuttall, Brian Vickers and Stanley Wells. The book‘s twenty five essays range over the whole field of Shakespeare studies and deal especially with Shakespeare and his predecessors, Shakespeare and his contemporaries, Shakespeare in performance (including film) and Shakespeare in relation to later literature. Shakespearean Continuities is published in honour of the distinguished Shakespeare scholar E.A.J. Honigmann, FBA, Joseph Cowen Professor of English Literature at the University of Newcastle, 1970-1989.
出版日期Book 1997
關(guān)鍵詞English; English literature; essay; film; Hollywood; integration; Inuit; John Ruskin; King Lear; literature; p
版次1
doihttps://doi.org/10.1007/978-1-349-26003-4
isbn_softcover978-1-349-26005-8
isbn_ebook978-1-349-26003-4
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1997
The information of publication is updating

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The Infamous Ripley and SHAKSPERns came, answers followed: about a thousand SHAKSPEReans throughout the world, ranging from eminent academics to casually interested laity, conversing about whatever the latitudinarian moderator, Professor Hardy Cook of Bowie State University in Maryland, allowed — which is to say, pretty much anything with a Shakespearean resonance.
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as Brechtian Theatrereverential and distanced relationship with Shakespeare’s plays. The effect is to encourage the audience to imagine what is happening ‘below stairs’ and to provide a wider focus. Inevitably, there is an element of politicising the plays and setting them in terms of class conflict.
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