Titlebook: Shakespeare‘s Original Stage Conditions and their Afterlives across the Globe; From the Wooden O to Yu Jin Ko Book 2024 The Editor(s) (if a

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and Privileged Spectatorshipes to create dramatic effects. I focus on how the staging of the culminating moment in . Tale—the statue scene—may have produced sightline issues because Hermione’s statue was probably placed within the so-called discovery space. Referring to Simon Forman’s notorious and idiosyncratic account of his

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Youth and Authenticity in ,: Burbage in His Thirties and a Sexagenarian Hamlet in Seoult Hamlet, despite being a university student and being routinely called a “youth,” is thirty years old. I examine this seeming anomaly in the context of early modern anxieties about extended adolescence, especially its association with rebellion and madness. Onto this background I map what I argue i

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Book 2024formance across the globe. The book contributes new insights into how early-modern stage conditions shaped the writing, production, and reception of Shakespeare‘s plays, but takes the further step of examining how original stage conditions re-emerge, not only in Globe replicas like the London Globe,

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,Introduction: Shakespeare’s Original Stage Conditions, Their Afterlives, and Universality,of original conditions to explore how productions negotiate their connection with the past and revitalize Shakespeare by reimagining his works. In the process, I put forward a new way of thinking of Shakespearean universality as something that evolves as new productions reimagine his plays.

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A Little Touch of Harry in the Daylight and Candlelight: , at Shakespeare’s Globe and the Sam Wanamahe ironies involved in attending a performance in a replica Globe may echo some self-consciously skeptical responses to authority that early-modern writers feared from Elizabeth’s subjects. To round out the chapter, I pursue the ideas in relation to a performance of the play in 2023 at the indoor Sa

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Dance and Deception in ,: Desdemona’s “Turn” in , and hich is set in Mexico during a huapango dance festival, and ., in which Bollywood dance numbers by the Bianca figure (Billo) play a crucial role. Ultimately, I contrast . with . by focusing on Billo, a nightclub entertainer whose outlandishly sensual dance numbers seem to place her in opposition to

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