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Titlebook: Shakespeare and the Question of Culture; Early Modern Literat Douglas Bruster Book 2003 Palgrave Macmillan, a division of Nature America In

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書目名稱Shakespeare and the Question of Culture
副標(biāo)題Early Modern Literat
編輯Douglas Bruster
視頻videohttp://file.papertrans.cn/867/866215/866215.mp4
叢書名稱Early Modern Cultural Studies 1500–1700
圖書封面Titlebook: Shakespeare and the Question of Culture; Early Modern Literat Douglas Bruster Book 2003 Palgrave Macmillan, a division of Nature America In
描述The last two decades have witnessed a profound change in the way we receive the literary texts of early modern England. One could call this a move from ‘text‘ to ‘culture‘. Put briefly, earlier critics tended to focus on literary texts, strictly conceived: plays, poems, prose fictions, essays. Since the mid-1980s, however, it has been just as likely for critics to speak of the ‘culture‘ of early modern England, even when they do so in conjunction with analysis of literary texts. This ‘cultural turn‘ has clearly enriched the way in which we read the texts of early modern England, but the interdisciplinary practices involved have frequently led critics to make claims about materials - and about the ‘culture‘ these materials appear to embody - that exceed those materials‘ representativeness. Shakespeare and the Question of Culture addresses the central issue of ‘culture‘ in early modern studies through both literary history and disciplinary critique. Douglas Bruster argues that the ‘culture‘ literary critiques investigate through the works of Shakespeare and other writers is largely a literary culture, and he examines what this necessary limitation of the scope of ‘cultural studies‘ m
出版日期Book 2003
關(guān)鍵詞critique; Cultural Studies; Cultural Turn; culture; drama; England; English literature; fiction; poem; prose;
版次1
doihttps://doi.org/10.1007/978-1-137-05156-1
isbn_softcover978-0-312-29439-7
isbn_ebook978-1-137-05156-1Series ISSN 2634-5897 Series E-ISSN 2634-5900
issn_series 2634-5897
copyrightPalgrave Macmillan, a division of Nature America Inc. 2003
The information of publication is updating

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The Dramatic Life of Objects in the Early Modern Theaterhe dramatic adventures of “amorous knight” that Stephen Gosson derides. Indeed, one of the clearest departures that early modern playwrights made from Aristotle’s precepts came in the ready employment of those “l(fā)ifeless things” that the . goes on to criticize when used as a means of recognition..
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Shakespeare and the End of Historyespeare critics face a similar dilemma when deciding whether what they read is “Renaissance” or “early modern” literature. For some time now, “Renaissance” has dominated the critical culture of Shakespeare studies. But its popularity and cachet do not stop there: “Renaissance” is everywhere we turn.
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Shakespeare and the Composite Text texts. In addition to this emphasis on the personal, literary works of the early modern period in England tend to be unusually copious—thick, that is, with “stuff,” including quotations of other texts, as well as descriptions of and references to material from the world outside their pages.. Such c
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The New Materialism in Early Modern Studiesly modern studies. Indeed, I call this a “new” materialism not only because of its momentum as a critical genre but because it comes as a disciplinary answer to a question that the epigraph asks us to ask: What future can materialist criticism of early modern texts have after Marx? I mean the “after
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