Titlebook: Shakespeare and Technology; Dramatizing Early Mo Adam Max Cohen Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2006 concep

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Overview: By reading the plays in technological contexts, Cohen offers new insights into some of Shakespeare‘s key metaphors, his methods of character development and plot development, his ideas about genre, his concept of theatrical space, and his views on the theatre‘s role in society.978-1-137-12004-5

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Book 2006By reading the plays in technological contexts, Cohen offers new insights into some of Shakespeare‘s key metaphors, his methods of character development and plot development, his ideas about genre, his concept of theatrical space, and his views on the theatre‘s role in society.

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The Clockwork Self and the Horological Revolution,e mechanical clock. In early modern England clocks and watches symbolized the inventiveness of humankind, the divine design of the universe, and modernity’s superiority over classical and medieval civilization.. Lewis Mumford has claimed that the clock has always held pride of place in Europe’s technological pantheon:

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,Englishing the Globe: Navigational Technology on and Around Shakespeare’s Stages,h.”. Gilbert placed the compass in a class by itself, asserting that “no invention of man’s device has ever done more for mankind than the compass.”. He believed that the apparent simplicity of the compass made the tool all the more remarkable:

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