Titlebook: Shakespeare and Space; Theatrical Explorati Ina Habermann,Michelle Witen Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Ear

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The Theatrical Topology of Tyranny in ,ance, he strategically uses space and orchestrates the movements of others, until, towards the end of the play, he is forced to explore the haunted realm of his own psyche. The topology of . thus links the theatrical arena of politics to private, psychic dimensions, exposing Richard’s internal drama to the audience’s gaze.

Leaven

Thickets and Beaches: Evoking Place in the Stories of ,residual cultural connotations, he argues, Shakespeare opens them up to the radical idiosyncrasies of the characters’ perceptions, as in the scene of Gloucester’s attempted suicide. Rather than providing an elaborate setting, Shakespeare’s stage circumscribes psychic spaces that take their shape and colour from the characters’ mental dispositions.

預(yù)兆好

‘The Lady Shall Say Her Mind Freely’: Shakespeare and the S/Pace of Blank Verseproduce a ‘“plastic” or “malleable” line’ designed to transgress linguistic and physical limits. Resisting linearity and closure, Shakespearean blank verse opens up a space for an individual’s negotiation of infinity—an approach particularly conspicuous in Hamlet, but also to be traced in Juliet’s ‘infinite bounty’.

政府

Hybrid Spaces in ,age, and the dramatic connection between the Egyptian and the English queen, opens up a hybrid space that is both historical and mythical, including, and at the same time going beyond the geopolitical dimension. Finally, Cleopatra’s ‘self-designed apotheosis’ introduces a final moment of hybridity, creating a space of textual regeneration.

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infinite