Titlebook: Shakespeare / Not Shakespeare; Christy Desmet,Natalie Loper,Jim Casey Book 2017 The Editor(s) (if applicable) and The Author(s), under exc

conflate

Benign

Introduction,e where the author disclaims him or may have difficulty finding him where he is named); it may equally be a product of intertextual and intermedial relations, processes that work on the level of semiotics and material substrate, apart from more overt processes of influence and reception.

使熄滅

Injunction

疲憊的老馬

Chaste Thinking, Cultural Reiterations: Shakespeare’s , and ,e text, itself both a faithful and unfaithful adaptation of its sources, and a cinematic reiteration of the Lucretia myth that works through inversion and wildly unfaithful gestures, throws additional critical light on the adaptation process.

冒號(hào)

和諧

Outspoken

龍卷風(fēng)

Finding Shakespeare in Baz Luhrmann’s ,re’s young lovers, as DiCaprio’s Gatsby becomes a grown up Romeo who lost his Juliet and is desperate to get her back. It is difficult to untangle the complex relationships between Luhrmann and DiCaprio, Fitzgerald and Shakespeare, but an attempt to do so can help unearth another iteration of “Shakespeare” in contemporary culture.

宮殿般