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Titlebook: Sexuality, Iconography, and Fiction in French; Queering the Martyr Jason James Hartford Book 2018 The Editor(s) (if applicable) and The Aut

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樓主: 熱愛
21#
發(fā)表于 2025-3-25 06:29:28 | 只看該作者
,Flaubert’s Queer Revelation,ubert’s innovative use of the Julien figure as a foil for philosophical conflict, represented through the unlikely pairing of Christian martyrdom and queer sexuality. The true purpose to the metaphor is ethical enquiry. Martyrdom and sexual queerness are both subordinate narrative devices, and serve
22#
發(fā)表于 2025-3-25 09:20:19 | 只看該作者
23#
發(fā)表于 2025-3-25 13:14:59 | 只看該作者
24#
發(fā)表于 2025-3-25 19:32:38 | 只看該作者
Queer Allegories: Tournier and Hocquenghem,analysis of more recent novels by Michel Tournier and Guy Hocquenghem. Tournier uses a mix of gay and queer martyrs, with effects distributed according to type, while Hocquenghem’s are gay male only. Each writer’s work reveals a paradox. Tournier’s martyrs are innovative yet ethically problematic, w
25#
發(fā)表于 2025-3-25 23:44:27 | 只看該作者
Conclusion: Reckoning the Queer Martyr,tford reveals the following conclusions. (a) Two types of martyr figures developed to serve discrete rhetorical purposes. (b) The intended aim of the martyr’s exemplarity is key to its sociocultural influence. (c) The predominance of male vs. female queer martyr figures, and the absence of female wr
26#
發(fā)表于 2025-3-26 00:10:52 | 只看該作者
27#
發(fā)表于 2025-3-26 07:27:05 | 只看該作者
A Cultural History of Queer Martyrs,rayed in the texts comply with the criteria set by authentic Christian martyrs, drawing key examples from works by Stendhal, Gabriele D’Annunzio, René Crevel, and Julien Green. Classics of queer theory support the explanation.
28#
發(fā)表于 2025-3-26 08:49:52 | 只看該作者
29#
發(fā)表于 2025-3-26 14:29:00 | 只看該作者
30#
發(fā)表于 2025-3-26 18:54:48 | 只看該作者
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