Titlebook: Sexual Difference in European Cinema; The Curse of Enjoyme Fabio Vighi Book 2009 Fabio Vighi 2009 cinema.film.liberty

不自然

上下連貫

Mingle

Sublime Objects: the Antinomies of Masculine Sexuality from Fellini to Truffautng for something radically dissimilar. Directors who hide behind a reassuring fantasy screen so as to avoid confronting Woman, or sexual difference, more often than not end up producing in their films the very deadlock that had initially demanded the intervention of cinematic fantasy. In different w

inculpate

Ethics of Drive: Beauty and its Enjoyment from Rohmer to Pasolinihe domain of ethics is defined by the endorsement of “headless” enjoyment, that terrifying frontier where all is decided. In the seven sections of this chapter I identify filmic narratives exploring the connection between drive and jouissance. Drive is not only unravelled as a direct endorsement of

accordance

mitten

TAP

About Nothing, with Precision: Femininity Unbound from Ophuls to Antonioni85: 54), he hit the right chord: the ultimate aim of his filmmaking is to show how visual representation hinges on a short-circuit between what we see and what we do not see, what we look at and what is already looking back at us. In this section I focus on this short-circuit, or dislocation, discus

AFFIX

Fecal-Impaction

大漩渦

Sublime Objects: the Antinomies of Masculine Sexuality from Fellini to Truffautore often than not end up producing in their films the very deadlock that had initially demanded the intervention of cinematic fantasy. In different ways, European film shows that, as a protective strategy against the nightmarish apparitions of the Real, the investment in sublimation does not necessarily pay off.