Titlebook: Sex, Violence and the Body; The Erotics of Wound Viv Burr,Jeff Hearn Book 2008 Palgrave Macmillan, a division of Macmillan Publishers Limit

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,Making the Moves: Masculinities, Bodies, Risk and Death in the ‘Extreme’ Sport of Rock Climbing,s of pleasure, self-esteem and agency, but also, at times, to pain, risk taking and obsession (see Rinehart and Sydnor, 2003; Wheaton, 2004a). This chapter will examine a specific masculine identity in relation to the body, injury and pain, risk and death, as well as aspects of sexuality, in relatio

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Transformations of Pain: Erotic Encounters with ,he broader rubric of Bondage, Discipline, Sadism and Masochism (BDSM), remain marginalised. Despite this, and perhaps as a direct challenge, literary, film and new media images have proliferated. Themes of BDSM are at play in films such as . (1986), . (1990), . (2000), . (2002), and most interesting

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,‘Oh Spike you’re covered in sexy wounds!’ The Erotic Significance of Wounding and Torture in ,ng an enthusiastic and dedicated fan base which gave it cult status. In addition to generating much fan activity, it has attracted considerable academic attention.. For the purposes of examining the relations of sex, violence and the body, it may be argued that . is a particularly rich source. It is

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Cut Pieces: Self-Mutilation in Body Art,The picturing of torment and suffering is also no news to art history. But the extended use of the artist’s own real body, its flesh and blood, belongs to the twentieth century and grew to become established as a specific artistic practice during the 1960s.

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Introducing the Erotics of Wounding: Sex, Violence and the Body,eed often considerable uncertainties, contestations and ambivalences. For example, sexual violences, such as rape and sexual assault, can be understood, from one point of view, as specific forms of (often male) sexuality, and then, from another point of view, not as sexuality, but rather as forms of violence..

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