Titlebook: Sex Robots; The Future of Desire Jason Lee Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 sex robots.media and communicatio

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Book 2017the film Ex Machina, to Japanese technology, non-human sexuality has been at the heart of culture. In Sex Robots, the history of this culture is explored. This text sheds new light on what the sex robot represents and signifies, examining its philosophical implications within the context of today‘s

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Robotic Evolution,rgaret Atwood’s work, especially her novel . is stressed. Many examples are examined, from children’s books and films, to works of philosophy. Using a variety of thinkers, such as theologian Karen Armstrong, this opening chapter explains where the fears connected to the sex robot stem from.

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Further Science Fictions,robot’ voice) are also explained. For this chapter, Roszak, Bergson, Bakhtin, and Deleuze are all utilised, amongst others. As well as film and popular culture, the play . is examined, with issues concerning non-embodied technology and sex explored.

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Science Fact & Conclusion,ce of the linguistic and symbolic construction of desire, in this context. The television show . is referred to, as well as many other cultural products. The complexities over love are investigated in terms of free will and choice. In this context, it is explained how the sex robot can show us how to be more human.

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H. Hornbostel,J.-G. Rausch-Stroomannl socio-economic and cultural infrastructure which favours/dIntroduction Intellectual property rights foster innovation. But if, as it surely does, “intellectual property” means not just intellectual property rules—the law of patents, copyrights, trademarks, designs, trade secrets, and unfair compet

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