Titlebook: Sensational Pleasures in Cinema, Literature and Visual Culture; The Phallic Eye Gilad Padva,Nurit Buchweitz (Senior Lecturer of Co Book 201

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The Vaginal Apocalypse: Phallic Trauma and the End of the World in ck Grimaldi (Gary Oldman), the NYPD sergeant assigned to guard her, is enraptured. He gazes at her stocking-clad inner thighs and into the shadowy realm that lies between them. Mona offers him far more than a fleeting glimpse. Seconds tick by and tension builds, until she cuts into Jack’s reverie by

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Reframing Gender and Visual Pleasure: New Signifying Practices in Contemporary Cinemaculture, has assumed a new egalitarianism in contemporary cinema. While the premise of Mulvey’s essay entailed an objectification of the female body by an assumed male spectator, film now diverges from these norms of female representation. In Mulvey’s model, the classic Hollywood film typically posi

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