Titlebook: Screening the World; Global Development o Stuart Hanson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 film.exhibition.Unit

Outmoded

Multiplexes Move Out of Town and Back Againr the easing of planning restrictions in the 1980s and early 1990s, and the development of large out-of-town shopping centres. The emergence of a new kind of out-of-town leisure and shopping culture in the 1980s and 1990s is considered in the context of both economic and political changes, and indic

ESPY

Granular

pulse-pressure

The Multiplex in Australiaxhibitors dominate, having benefitted from greatly increased cinema attendance. Australia makes a fascinating case study of the development and diffusion of the multiplex cinema, not least because companies like Hoyts, Village Roadshow, and Greater Union have utilised their established market domina

溺愛

The Multiplex in Japan, South Korea, and Chinarticular domestic conditions that contrast sharply with each other. South Korea has the world’s most enthusiastic cinemagoers per capita, with the multiplex the wholly dominant cinema form and based entirely on domestic operators. Japan is a multiplex market grown initially largely by US and British

服從

樣式

Exporting the Multiplex to Britainries to import the multiplex from the USA, Britain can be considered a kind of ‘test bed’ for the concept. Hanson outlines the context for the development of the multiplex and considers the exhibition landscape in the period prior to 1985, especially as 1984 is the nadir of cinema attendance in Britain, with annual admissions of only 54?million.

lactic

機(jī)制

Introduction,ng for the significance of the multiplex cinema as a phenomenon that has transcended national boundaries, and which has become the predominant venue for film viewing globally. Finally, he argues that in many countries, indigenous exhibition companies have adopted the multiplex template and adapted them to their own domestic markets.

佛刊

The Origins of the Multiplex in the USA Corporation, and National Amusements, which were instrumental in the development of the multiplex cinema throughout the 1960s and 1970s. Finally, Hanson considers the antecedents of the multiplex in terms of building design and the ways in which cinemas were recast with new forms of marketing, consumerism, leisure, and business management.