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Titlebook: Screening Scarlett Johansson; Gender, Genre, Stard Janice Loreck,Whitney Monaghan,Kirsten Stevens Book 2019 The Editor(s) (if applicable) a

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發(fā)表于 2025-3-25 06:47:46 | 只看該作者
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發(fā)表于 2025-3-25 11:17:28 | 只看該作者
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發(fā)表于 2025-3-25 12:27:50 | 只看該作者
Man, Meat and ,-,: Scarlett Johansson in ,lm’s exploration of human bodies and minds. Conducting a close analysis of the film’s narrative and mise-en-scène—and Johansson’s vital place within them—this chapter considers how Johansson’s much-desired body becomes the focal point for the film’s anxiety about the mind/body split and humanity’s corporeal vulnerability.
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發(fā)表于 2025-3-25 16:35:52 | 只看該作者
,“What We Do Defines Us”: ScarJo as War Machine, (Jonathan Glazer, 2013) and . (Spike Jonze, 2013)—but focus chiefly on the live action film of cult manga . (Rupert Sanders, 2017). Brown and Fleming consider how the film deploys Johansson’s image to promote violence, white supremacy and the violent dehumanisation of others.
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發(fā)表于 2025-3-25 21:17:35 | 只看該作者
Book 2019 in independent cinema, to contemporary blockbusters, to her self-parodying work in science-fiction. .Screening Scarlett Johansson. is more than an account of Johansson’s career; it positions Johansson as a point of reference for interrogating how femininity, sexuality, identity and genre play out t
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發(fā)表于 2025-3-26 02:47:52 | 只看該作者
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發(fā)表于 2025-3-26 07:43:39 | 只看該作者
s, and genre.Identifies Scarlett Johansson as an emblematic .Screening Scarlett Johansson: Gender, Genre, Stardom. provides an account of?Johansson’s persona, work and stardom, extending from her breakout roles in independent cinema, to contemporary blockbusters, to her self-parodying work in scienc
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