Titlebook: Saramago’s Philosophical Heritage; Carlo Salzani,Kristof K. P.‘Vanhoutte Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 bi

Pudendal-Nerve

glamor

David Jenkinsated mathematics and scientific method with philosophical thPresents a unique study of Integrative Problem-Solving (IPS).The consideration of ‘Decadence‘ is essential in the scientific study of environmental and other problems and their rigorous solution, because the broad context within which the p

compassion

Kristof K. P. Vanhoutteated mathematics and scientific method with philosophical thPresents a unique study of Integrative Problem-Solving (IPS).The consideration of ‘Decadence‘ is essential in the scientific study of environmental and other problems and their rigorous solution, because the broad context within which the p

CRP743

ated mathematics and scientific method with philosophical thPresents a unique study of Integrative Problem-Solving (IPS).The consideration of ‘Decadence‘ is essential in the scientific study of environmental and other problems and their rigorous solution, because the broad context within which the p

遺產(chǎn)

Introduction: Proteus the Philosopher, or Reading Saramago as a Lover of Wisdom,e philosophical readings to be found in the chapters. It presents the few explicit references to philosophers or philosophies to be found in his writings, diaries, conferences and interviews, to show how his fictional writing rests on constant and firm philosophical foundations. More importantly, ho

Panacea

,Correcting History: Apocalypticism, Messianism and Saramago’s Philosophy of History,tion. This chapter argues instead that Saramago’s trajectory inserts itself within a certain tradition of an emancipative (re)reading of history and shares some fundamental traits—the view of history as catastrophe, the anti-utopianism, the vindication of the history of the vanquished, the simultane

沒血色

,The “Dark Side” of History: Saramago, Foucault, and Synchronic History,im is to show how both texts lay the foundations for the transition from a diachronic historiography, intended as an external succession of events, to a synchronic one, solicitous in reconstructing a historical period in the complexity of the internal relationships composing it—including the one bet

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