Titlebook: Sandscapes; Writing the British Jo Carruthers,Nour Dakkak Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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書目名稱Sandscapes影響因子(影響力)




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FOR

Tide Wrack and Sand,ticisms—are in tangential contact and form an open network that is as three dimensional as the page will allow (as sand is). “Tide wrack” is marine debris—natural and manmade—that washes up daily onto the beach. Baudelaire compared the poet to the chiffonier or ragpicker picking up the city’s refuse

flimsy

聚集

,An Englishwoman’s Home Is Her Castle: Social Morphologies and Coastal Formations,on the beach at Felpham. . she asks the AA’s .?as we beachcomb our way through it. The tin bucket recurs in many of the photos we’ve dug out. From Broadstairs to Swanage. She’s older by Lynmouth and Minehead, gone from boarding house to hotel. She’s in tents with the Guides by Colwyn Bay; on Sunday

Rinne-Test

新奇

BLAZE

On the Sound-Sea: Fifteen Ways of Thinking About Sand and Sound,and music as a space between, a space in which the listener hears the call of the sea and responds to that call. In 15 different ways, including personal reflections as well as analysis, this chapter takes a critical-creative method to rethink the intertidal space as a place of possibility and trans

帶來墨水

Rough and Smooth Sands: Social Thresholds and Seaside Style,f, the sandscape is often turned to by writers who testify to it as a space in which we can lose ourselves, to escape the world. Elizabeth Gaskell described her heroine, Margaret Hale, on the sandscape as enjoying the “l(fā)uxury of pensiveness”, a moment of peace and transcendence. This chapter explore

follicle

A Morecambe Mystery,rform death-defying BMX tricks. A couple mourn the loss of a black cat in the tide that runs faster than a horse. But who is the woman scattering seed and waving a fennel bulb in a mystic circle on the sand? What is the darkness that haunts the bridal suite? What is the future for a seaside resort w

窩轉(zhuǎn)脊椎動物

Map of the Quick,th centuries, led to this story written from the imagined perspective of “Annie”, a landlady of a guest house circa 1850. Driven to migrate across country, east to west, from Yorkshire to the respite and shelter provided by Morecambe Bay, she was part of a collective experience of migration that pop