Titlebook: Samuel Johnson‘s Lives of the Poets; Ethical Literary Cri Edward L. Tomarken Book‘‘‘‘‘‘‘‘ 2024 The Editor (s) (if applicable) and The Autho

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Life and Literature,f his service to the writing of others. Johnson reinforces his position?that one of the life functions of literature is to provide some common ground for those with different, even conflicting ideologies and other strongly held beliefs.

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Conclusion: Ethical Value Judgements,that the allegory of Sin and Death is a flaw of?., one can contest the view that the allegory undermines the purpose of the epic. In short, when Johnson’s value judgements enter the realm of literary criticism they become contextualized and goal-directed.

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A Literary-Critical Tragedy: The Interpretive Turn in the ,iest instance of Johnson’s extensive use of his evaluative genre method. Thirty-seven years later, he included the biography of Savage in the . the only long life containing the same literary commentary as that previously published. Within the . the . changes genre; no longer an apology for Savage’s

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Metaphysical Poetry and Pastoral: Genre in Relation to Value Judgements and History,egy, one of the main topics of the third life. My contention is that Johnson begins the . by establishing metaphysical poetry as a genre, an accomplishment, I believe, that led him to assert that this first life was his favourite. Treating metaphysical poetry as a genre enabled him to discriminate b

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Genre Combination and Interpretation Johnson on ,ish churchyard combines the elegy with loco-descriptive poetry, a new genre to be discussed in later chapters. The focus at this point is that genre combinations are a key for interpretation. Most of the chapter concerns a discussion of Johnson’s explanation of what he deems to be the two faults of

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