Titlebook: Samuel Beckett’s Legacies in American Fiction; Problems in Postmode James Baxter Book 2021 The Editor(s) (if applicable) and The Author(s),

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James Baxterastatic disease, to 37%, in patients with localized tumor without regional disease. Therefore, staging is critical for the management of pancreatic cancer, as surgery is the only curative option. While management of pancreatic cancer requires multidisciplinary approach, imaging plays a critical role

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James Baxterchniques.Wealth of high-quality illustrations.Ideal resourceThis book is a unique resource that will help pediatric radiologists, pediatricians, and pediatric endocrinologists to optimize the work-up and treatment of pediatric patients with endocrine disorders. Acclaimed experts in the field present

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lity to image intracellular features adds a unique aspect to analyses, and can enable correlation between molecular phenomena resulting in alterations in cellular phenotype. Unicellular microalgae are amenable to high-throughput analysis to capture the diversity of cell types in natural samples, or

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,, 1957–1984: Beckett and the American ‘Underground’,, 1958), . (No. 34, 1964) and late theatrical pieces, ., . and . (No. 98, 1984). Progressing chronologically across 17 issues, from 1957’s No. 1 to 1984’s No. 98, Beckett’s diverse publications will be interrogated alongside the magazine’s role in the advent of ‘vulgar modernism’ (Glass, 2013) and t

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Problems and Pratfalls: Robert Coover, Donald Barthelme and Metafictional Style After Beckett,ostmodern metafiction in the 1960s and 1970s. This chapter will investigate the Beckettian legacies of Robert Coover and Donald Barthelme, together with Beckett’s place in contemporaneous discussions around ‘the literature of exhaustion’ (Barth, 1967). For Coover (a regular contributor to .), the ne

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,Don DeLillo’s Reinvention of ‘Beckett World’, scholarship around the residual worldliness of Beckett’s writing by Peter Boxall (2009) and Steven Connor (2006, .), this chapter will situate Beckett’s legacy against enduring DeLillian themes of consumption, nuclearity and the cultural exhaustion of American postmodernity. As ‘the last writer to