Titlebook: Ruskin, the Theatre and Victorian Visual Culture; Anselm Heinrich (Lecturer in Theatre Studies),Kath Book 2009 Palgrave Macmillan, a divis

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‘A truer peep at , Venice’ : , on the Victorian Stageanner gave me letters to his brother Lord Kinnaird at Naples, and to Lord Byron, then at Pisa’.. The actor was William Charles Macready, later known as ‘The Eminent Tragedian’, who during the ensuing three decades transformed the practices of the London stage virtually single-handed. Macready’s purp

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The Photographic Portraiture of Henry Irving and Ellen Terryegularly exhibited at the Royal Academy in London, and the late twentieth century, when celebrity head shots became a symptom of the global obsession with famous people. Nearly 200 years separate Reynolds’s portrait of . (1789) from Andy Warhol’s silk screen depictions of Marilyn Monroe of the 1960s

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‘Auntie, can , do that?’ or ‘Ibsen in Brixton’: Representing the Victorian Stage through Cartoon andtrical events in their own right, but also depicted the world itself as theatre. With the development of the cartoon, in our modern sense of the word, and of book illustration in the nineteenth century, together with the widening circulation of illustrated journals and newspapers, new outlets emerge

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Re-interpreting Ruskin and Browning’s Dramatic ‘Art-poems’eeds so much solution before the reader can fairly get the good of it, that people’s patience fails them, and they give up the thing as insoluble; though, truly, it ought to be the current of common thought like Saladin’s talisman, dipped in clear water, not soluble altogether, but making the element medicinal.

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Ruskinian Moral Authority and Theatre’s Ideal Woman parallel between the Church and the Theatre as spaces of particular influence on the morality of society. This connection is one facet of Ruskin’s broader project to teach his readers to re-learn what he believed infants naturally know: how to see, to judge and to act along useful, morally sound paths.

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g the accumulated transverse strain, i.e. the opening displacement, in the solid-liquid region. This approach is based on the so-called strip expansion technique, cf. [6]. For the objective function investigated in this paper it is sufficient to take into account a stationary temperature field in a

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Katherine Neweyixed and a large number of iterations must be executed, so the MD simulation suites have to scale to hundreds or thousands CPUs to get detailed view inside biomolecular systems. The used programs AMBER and GROMACS scale well up to 64 or 32 CPUs, respectively. A?typical run for about 100?ns simulatio

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