Titlebook: Ruskin and Modernism; Giovanni Cianci (Professor of English),Peter Nicho Book 2001 Palgrave Macmillan, a division of Macmillan Publishers

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Ruskin, Myth and Modernism, In place of the fictional conventions of realism, or the historiography of progress, early modernists could perceive themselves to be constructing a syncretic and fragmentary framework grounded in myth. Writing of James Joyce’s . in November 1923, T. S. Eliot famously spoke of this ‘mythical method

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Degrees of Darkness: Ruskin, Pater and Modernism,reer, aged 51. If . and . were behind him, the scale of their achievement was indicated by the creation of such a Professorship, and by the opportunity it afforded Ruskin to embed the study of visual art in the curriculum and education of gentlemen. And while the lectures are nothing if not didactic

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,‘Reactionary Desire’: Ruskin and the Work of Fiction,terary value (‘the literary loss is infinite’) and a judgement based on politics, it is the ideological meaning of Dickens’ work that exercises him. The novelist’s relish for the properties and appearances of the here and now, ‘mistletoe and pudding’, blinds him to a realm of meaning located somewhe

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comely

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irradicable