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Titlebook: Rural Cinema Exhibition and Audiences in a Global Context; Daniela Treveri Gennari,Danielle Hipkins,Catherine Book 2018 The Editor(s) (if

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發(fā)表于 2025-3-21 16:48:08 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Rural Cinema Exhibition and Audiences in a Global Context
編輯Daniela Treveri Gennari,Danielle Hipkins,Catherine
視頻videohttp://file.papertrans.cn/833/832162/832162.mp4
概述Re-conceptualizes cinema history through findings that work against the trends of Western dominance associated in part with Hollywood in Film Studies.Underlines and illustrates the importance of juxta
叢書名稱Global Cinema
圖書封面Titlebook: Rural Cinema Exhibition and Audiences in a Global Context;  Daniela Treveri Gennari,Danielle Hipkins,Catherine Book 2018 The Editor(s) (if
描述.Although it has only been in the last decade that the planet’s population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going...Rural Cinema Exhibition and Audiences in A Global Context. is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ru
出版日期Book 2018
關鍵詞Cinema-going; World Cinema; Audience Studies; Rural Space; Reception
版次1
doihttps://doi.org/10.1007/978-3-319-66344-9
isbn_softcover978-3-030-09770-7
isbn_ebook978-3-319-66344-9Series ISSN 2634-5951 Series E-ISSN 2634-596X
issn_series 2634-5951
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Kanda’s Grounds and the Ritual Experience of Rural Cinema in Narok, Kenyantext of Arjun Appadurai’s (.. Minneapolis; London: University of Minnesota Press, 1996) view that local audiences of global electronic media participate in global culture through their participant reception of these media. It is established that the audience reception experience is adapted in a pro
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UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the es to the way that the rural audience was liable to recruitment by government and related political and cultural institutions (Druick, Z., At the Margins of Cinema History: Mobile Cinema in the British Empire. Public, 40, 2009). These particular uses of the smaller gauge in mobilising cinema offer e
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Book 2018uestions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ru
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José Carlos Lozano,Philippe Meers,Dani?l Biltereystunderlying issue of quasiparticle dynamics as to whether a quasiparticle Bloch state is realized in the periodic vortex lattice..978-4-431-56359-4978-4-431-54592-7Series ISSN 2190-5053 Series E-ISSN 2190-5061
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