Titlebook: Ruin Porn and the Obsession with Decay; Siobhan Lyons Book 2018 The Editor(s) (if applicable) and The Author(s), under exclusive license t

等待

陳列

不要不誠實(shí)

More Than Ruins: (Post-)Apocalyptic Places in Media and use of settings of landscapes, settlements, and waters freed of human beings are remarkably similar in choice and style: vast wastelands, ruins of landmarks, and overgrown cities reminding of the once enormous impact of humanity on earth while simultaneously stressing its perishability and natu

DAFT

“This Is Not Ruin Tourism”: Social Media and the Quest for Authenticity in Urban Explorationcities. Their appearances are widely circulated also through various social media platforms and online networks. Together, these “cultures of circulation” weave an increasingly complex imaginary texture of the recent past. In this chapter, I explore the cultural tensions between the rough, but no le

glomeruli

享樂主義者

MAG

Chromatic

陰險(xiǎn)

“This Is Not Ruin Tourism”: Social Media and the Quest for Authenticity in Urban Exploratione, is a good way of grasping the different ways in which people imagine, mediate and relate to the half-forgotten remnants of the modern past, as well as a starting point for mapping the contested landscapes of the spreadable city.

不愛防注射

Book 2018opics, including Detroit, Chernobyl, Pitcairn Island, post-apocalyptic media, online communities and urban explorers, among many other topics, this collection illustrates the nuances of ruin porn that are fundamental to an understanding of humanity’s place in the overarching narrative of history..