找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: RuPaul’s Drag Race and the Shifting Visibility of Drag Culture; The Boundaries of Re Niall Brennan,David Gudelunas Book 2017 The Editor(s)

[復(fù)制鏈接]
樓主: 和尚吃肉片
11#
發(fā)表于 2025-3-23 12:40:27 | 只看該作者
12#
發(fā)表于 2025-3-23 16:04:45 | 只看該作者
Drag Culture, Global Participation and ,,ors situate RPDR within a framework of gender/drag performativity (Butler 1990) and camp sensibility (Newton 1972). Following, they account for RPDR’s elevation of lesbian, gay, bisexual, transgender and queer/questioning (LGBTQ) visibility through public and private queer histories. The authors dis
13#
發(fā)表于 2025-3-23 20:46:15 | 只看該作者
14#
發(fā)表于 2025-3-24 01:33:27 | 只看該作者
Contradictions Between the Subversive and the Mainstream: Drag Cultures and ,y in terms of how drag is articulated by men performing femininity. I also interrogate authenticity (Hill 2009) for the way it contradicts the inauthentic spaces that drag occupies on RPDR. Additionally, I consider competition (Kavka 2012) and consumption (Silverstone 1999) as institutional and narr
15#
發(fā)表于 2025-3-24 03:55:53 | 只看該作者
16#
發(fā)表于 2025-3-24 09:06:16 | 只看該作者
North American Universalism in ,: Stereotypes, Linguicism, and the Construction of “Puerto Rican Que fall under this category, however, is a consistent emphasis upon their English language capabilities, and more broadly, a focus on their knowledge of North American popular culture. In both areas, queens from Puerto Rico are depicted as lacking, with jokes often made at their expense. Through an an
17#
發(fā)表于 2025-3-24 14:05:35 | 只看該作者
18#
發(fā)表于 2025-3-24 18:28:16 | 只看該作者
The Werk That Remains: Drag and the Mining of the Idealized Female Formshow is said to have challenged not only heteronormativity but gender normativity as well. It, however, has not escaped criticism. This essay examines RPDR and the many ways in which the show reinforces cultural norms associated not only with race and ethnicity but also with the body. Despite statem
19#
發(fā)表于 2025-3-24 19:08:42 | 只看該作者
20#
發(fā)表于 2025-3-25 01:19:48 | 只看該作者
“I Am the Drag Whisperer”: Notes from the Front Line of a Cultural Phenomenonirector who created the initial Logo TV viewing parties for the first five seasons of RPDR. He also produced the first five RPDR Tours for Logo TV and Absolut Vodka. This allowed him to witness, first hand, the immediate celebrity experienced by the contestants and offer behind-the-scenes stories an
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點(diǎn)評(píng) 投稿經(jīng)驗(yàn)總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2026-1-24 11:49
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
金湖县| 阿鲁科尔沁旗| 米脂县| 洛浦县| 新河县| 潍坊市| 安多县| 渝中区| 仁寿县| 阳新县| 赣榆县| 庐江县| 罗城| 汝城县| 乌拉特前旗| 金寨县| 莫力| 巴东县| 彭水| 高安市| 宽城| 定结县| 上饶市| 安仁县| 两当县| 龙门县| 弥渡县| 怀来县| 阳信县| 兴安县| 邹平县| 吴江市| 正宁县| 通化市| 西华县| 金川县| 城固县| 沧源| 怀来县| 庆阳市| 千阳县|